Step Two: The Countermarch Tie-Up

Assembling the loom was probably the easy part. The next step was tying up the lamms. But first, I needed to straighten out the mess with the heddles and make sure the heddle bars were even.

I color coded the heddles years ago, which was helpful because now I knew exactly where they belonged. This was good because it's nice to have the same number of heddles on each shaft. 

To make sure all the shafts were at the same height, I ran a string from beam to beam, threading it through one heddle on each shaft. 

Only one was stubbornly out of place, and this turned out to be a broken Texsolv peg in the countermarch. 

The pegs hold the Texsolve cord

One of the pegs was broken

Replacing it solved the problem. 

Then I was ready to attach the lams to the shafts. The tie-up fixture (upright posts and locking pins below) holds the lamms at the correct height for tie-up and stabilizes them.

The shorter upper lamms are tied to the bottom bar of each shaft.

The longer lower lamms are tied by a long cord to the countermarch. These were more challenging because the lamms are only about 14 inches off the ground and it felt like I was standing on my head to see to attach them! I had trouble holding the cords tight while inserting the peg into the cord. It finally occurred to me to use a tapestry needle to hold the cord taut so I could insert the pin.

That helped! And that completed the tie-up to attach the countermarch, shafts, and lamms.

Done!

The action of this arrangement is that the upper lamms lower the shafts and the lower lamms raise the shafts. Which does which depends on how the treadles are tied to the lamms. Because all the shafts are either raised or lowered, a good shed is created.

The next step will be to put on a warp and tie up the treadles. 

© 2024 Leigh's Fiber Journal

Related post

Step One: Glimakra Assembled!

Step One: Glimakra Assembled!

assembled and ready to be tied up

For the most part, assembly went pretty well. The instruction manual was clear and well diagrammed until it came to installing the lamms. The manual went right into how to tie them up, not how to attach them to the loom. I finally found a decent photo online and figured it out from there. Fortunately, I wasn't working from new out of the box, so it went fairly quickly. The harnesses, countermarche, beater, treadles, and bench were already assembled and just needed to be put in place.

That was the easy part! Next, I need to level the harnesses and tie up the lamms and treadles.

© 2024 Leigh's Fiber Journal

Related posts:

SURVEY: Floors under Floor Looms?

Progress On Setting Up My Glimakra

Step Two: The Countermarch Tie-Up 

Progress On Setting Up My Glimakra

Thank you to everyone who participated in my survey. I asked this question in a couple of places, and all the answers were interesting and with helpful pros and cons for a variety of floors. My goal, of course, is to finally set up my big floor loom. This project, unfortunately, has required a lot of steps to get to that point.

Since the room I want to use has been a storage room for about a decade, the first step was to go through boxes, sort contents, and decide what to keep and what to let go of. Much of it went into my studio/sewing room, and much of it was purged. Building materials went to Dan's workshop storage area, but we don't have a basement or garage, and our attic is limited as to what it can store (mostly Christmas decorations). So I still have to figure out how to store seasonal things like space heaters, box fans, beekeeping equipment, soap making supplies, archery items, surplus tincture bottles, etc. But the good news is that I finally cleared enough space to set up my loom!

The bad news is that the original hardwood floor is in pretty bad shape. The logical thing to do, of course, would be to put down a new floor. Actually, the logical thing to do would be to finish the room before setting up the loom. Even though it's on the to-do list, it doesn't seem likely it will be the priority in the near future. I'm going to make the best of it anyway!

For the floor, I decided to lay down a large area rug. In fact, I ended up buying a new area rug for the dining room and using the old one in this room. It's not in bad shape, just had the misfortune of first being barfed on by cats, which was cleaned up with a spray-on all-purpose cleaner which bleached it! (The responsible party will remain nameless, other than to say it wasn't me!) So I moved the rug into the room, scrubbed it by hand, and I think it will be fine. 

After the rug was dry, I laid out all the pieces of the loom.

wonky photo taken atop a step ladder

Next, I need to go through the assembly manual and inventory them. Hopefully, nothing is missing! Then I can start putting it all together. 

When I first got the loom, the previous owner passed on an assembly video. I no longer have a VCR player and couldn't find that video on YouTube, so I'll have to make do with written instructions. Hopefully, they're clearly written! 

Wish me luck!

© 2024 Leigh's Fiber Journal

Related posts

SURVEY: Floors under Floor Looms?

Step One: Loom Assembled! 

SURVEY: Floors under Floor Looms?

I'm interested in your preference! What kind of floor do you like to set your loom up on? 

1. Carpet
2. Area rug
3. Bare floor (wood? tile? laminate? concrete?)
4. Something else?
5. No preference?

I'd love to know your preference and reason.

© 2024 Leigh's Fiber Journal

Related posts

Progress On Setting Up My Glimakra

Step One: Loom Assembled! 

Weaving On Opposites

One of the things that interested me about variation H of Mary Meigs Atwater's "Cottage Windows" pattern, was that it is woven "on opposites." Being one of the many concepts I forgot during my long hiatus from weaving, I did a little research when I learned it was one of the crackle manners of weaving. I jotted down a definition for my crackle manners of weaving blog post, but found myself thinking more about it as I wove a my Cottage Windows table runner, and researching more. What I realized, is that there are some variations on how "on opposites" is interpreted. 

In some sources, opposites refers to pattern blocks. As, for example, Harriet Tidball's diagram of Cottage Windows. It's treadled . . .

Treadling pattern is in the right-hand column. 

One pattern block is treadled with shafts 2-3 for so many weft shots, and then treadled 1-2 for so many weft shots. The second block is treadled with the opposite shafts 4-1 and 3-4. With this treadling, tabby must be used, or as you can see by studying the treadling sequence, the common shaft in 2-3 and 1-2 (shaft 2) would always be lifted and create a long warp float over the top of the fabric. Ditto for shaft 4 in the 4-1 and 3-4 sequence. Tabby is needed to tie these down to the fabric.

The second definition defines opposites as alternate sheds, using contrasting colors for the wefts. One weft shot of shafts 1-2 is alternated with 3-4. Tabby weft is optional, but said to make a more stable fabric.

My Cottage Windows table runner is an example of the first definition, opposite pattern blocks. One of these days I'm going to have to rustle up a pattern using the other definition, opposite sheds. It will be fun to experiment.

© 2024 Leigh's Fiber Journal

Related posts:

Crackle Weave: Manners of Weaving

Crackle On Opposites